Digital art has grown at an impressive rate over the last 30 years with the advent of the microprocessor and graphical user interface, both compelling pieces of an equation that made digital art more easily acceptable to the public in general and pushed advances in style and quality.
This growth and advance has not been without those who wish to oppose it though.
I shall discuss the bases and brief history of digital art, the beliefs of those who oppose it and wether what they say holds any credence or not.
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